clams casino instrumental mixtape one download

For a guy with this kind of potential, not only for contract beatmaking but his own material, it affirms that we should be in for a nice, long ride.The word “hypnagogic” gets thrown around a lot in music, almost to the point where it’s lost its meaning - for the record, it means “of or relating to the state immediately before falling asleep.”

These are the moments when Clams' talent is most encouraging, because it feels like his ideas are still germinating. You've got the Lana Del Rey rework, which deconstructs the original to the point that it's no longer recognizable, and a beat for Squadda B's 'Kissing on My Syrup' that's more aggressive than we're used to from him, a sort of chugging space-station boom-bap. But the album gets really interesting in the back half, which is more varied and includes some non-rap remixes. There are plenty of examples of the classic Clams sound, that buoyant, medicated drift. But that's not the case with something like 'Wassup', which comes pre-loaded with its own embellishments: The layers of ambient hiss, the skittering drum track, and those cooing, clipped voices all bleed together in such a way that invites a rapper but doesn't require one.Ĭlams' talent for making an instrumental more than just an instrumental is his ace in the hole, and it's what makes this mixtape nearly as enjoyable as the first installment. Luger's 'H.A.M.' beat (highly unofficial version here), for example, is a thrilling piece of production, but the gaps where Jay and Kanye are supposed to come in feel empty. What makes him unique is that he fills in all the spaces that other guys tend to leave open for MCs to rap over. There are plenty of guys, from Hit-Boy to Lex Luger to AraabMuzik, who can match or exceed his ability.

It's not that Clams is hip-hop's most talented beatmaker. It's worth considering why these tracks, and not other producers', are able to function so well independently.

But even without Rocky's indelible hook, it feels whole. The beat for A$AP Rocky's 'Palace' is pretty glorious by itself, with a natural arc that moves from collapsing drums to a coda of soaring, disembodied vocals. Now that he's making beats for songs with more memorable hooks and verses, do Clams' productions work as well on their own? The short answer is yes, and you don't have to look further than the opening cut for proof. And while the beats on the first tape were unquestionably strong, many of them supported stream-of-consciousness Lil B raps which, no disrespect to the Based God, most people didn't mind leaving behind. We're familiar with his style now, and that initial 'wow' factor has worn off some. Clams faces a little more of a challenge with Instrumental Mixtape 2.

Clams casino instrumental mixtape one download